Weaving Tips and How To's

In a craft that tends to be very structured and rule-oriented, it can be wildly refreshing to play with patterns and see what other forms the weaver can create. In this blog post, Kate Koconis explores how she uses an Overshot weaving structure to create experimental, intuitive weavings. 

Name Drafting is a method of incorporating a name or phrase into a weaving pattern such that it creates a unique graphic. There are many ways to name-draft, all of which serve as a tool to assist the weaver in the design process and make the draft uniquely theirs. In this blog post, Penny Lacroix provides step-by-step instructions for how she has used Name Drafting in her designs.

In this blog post, Karla Stille explores one possible adaptation of her Endless Options Mug Rugs. By winding a longer warp and re-sleying the loom, weavers can explore weaving a modified Rep-Weave table runner on the same warp as their mugs. 

Inlay is a weaving technique that utilizes a base (or ground/tabby) weft and an inlay (or supplemental) weft. The base weft travels from selvedge to selvedge, while the inlay weft travels only where the weaver desires. This creates unique designs that draw the viewer's attention to specific areas of the cloth. In this blog post, we will explore a few of the many options available for weaving Inlay.

Beautiful weaving can be crafted by incorporating multiple colors in the weft. When weaving multiple picks with a single yarn before switching to another, many weavers opt to cut the weft yarn before transitioning. But when the yarns change with each pick or at small intervals, it is more practical to keep all the weft yarns connected to the weaving. In this blog, Carolyn Heacock shares tips for successfully carrying two and three yarns up the selvedge in a way that creates structurally sound, beautiful selvedges.

This article is part two in a series about lace weaves — a magical way of interlacing threads and using skips and floats to create shape, pattern, and space. In this blog, learn about Bronson and Swedish Lace weaves, and things to consider when choosing which style may be best suited to your project.

Weaving is full of many magical transformations of yarn, color, and structure. One of the most exciting transformations that can be done with plain string and four shafts has to be lace weaves. In this blog series, we’ll examine several of the more common loom-controlled lace weaves.

Loom maintenance can go a long way in preventing mistakes, supporting equipment longevity, and ensuring that your most important tool is running smoothly (which in turn means that weaving is smooth and fun, too!). In this article, Amanda shares a short checklist of things she likes to do every few months to care for her loom. 

Deflection in weaving happens when (intentional) floats curve around areas of plain weave, and doubleweave is the weaving of two layers of fabric simultaneously. Combining the curves of deflection and the layers of doubleweave creates deflected doubleweave, a common technique in shaft-loom weaving. But with two heddles and, in some cases, two pick-up sticks, the humble rigid heddle loom can also create this stunning structure.     

Choosing the right shuttle when starting your next weaving project can make or break your experience — and sometimes affect your selvedges too! In this article, I’ll be sharing some of the things I consider when choosing what shuttle to use as well as explaining the differences between stick shuttles, boat shuttles, and more.