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by Jennifer Leigh
Choosing yarn for Color-and-Weave, and Shadow Weave in particular, requires careful consideration in order to give the desired effect. This article is the second in a three part series by Jennifer Leigh, and discusses key concepts to keep in mind when selection yarn for Color-and-Weave and Shadow Weave projects.
by Jennifer Leigh
After Plain Weave and Twill, Color-and-Weave and Shadow Weave are frequently the next steps in a weaver’s journey. This simple technique of manipulating warp and weft color order to create patterning gives extra visual interest to almost any weaving structure. In the first installment of this blog series, Jennifer Leigh explores the key differences between Color-and-Weave and Shadow Weave structures.
by Kate Koconis
In a craft that tends to be very structured and rule-oriented, it can be wildly refreshing to play with patterns and see what other forms the weaver can create. In this blog post, Kate Koconis explores how she uses an Overshot weaving structure to create experimental, intuitive weavings.
by Penny Lacroix
Name Drafting is a method of incorporating a name or phrase into a weaving pattern such that it creates a unique graphic. There are many ways to name-draft, all of which serve as a tool to assist the weaver in the design process and make the draft uniquely theirs. In this blog post, Penny Lacroix provides step-by-step instructions for how she has used Name Drafting in her designs.
by Jennifer Mao
by Amanda Rataj
by Amanda Rataj
by Amanda Rataj
by Penny Lacroix
by Christine Jablonski
by Sarah Resnick
by Christine Jablonski
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