Guest blog post with Liz Gipson of Yarnworker
We have all done it, introduced a little skip in our weaving that creates a float in a place we didn't intend. Floats are the basis of so many weave structures, but we want to create them on purpose. (I'm also a fan of the flaw—it makes weaving more interesting.)
One of the most efficient ways for rigid-heddle weavers to do this is to use a stealth tool that allows them to make a third or fourth shed, and break the over/under configuration of plain weave--the pick-up stick!
When weavers hear the term “pick-up”, they often think of working patterns in front of the heddle, picking up the pattern each time. You can also place the stick behind the heddle and leave it there, engaging it only when necessary.
To place a pick-up stick, place the heddle in the down position so only the slot threads are up. Then you pick up the configuration you want behind the heddle. In this case, I'm picking 1 down/1 up. This is called “charging” the pick-up stick.
Once charged, you can slide the stick to the back of the loom and continue to weave plain weave.
You also have two additional shed options that allow you to weave weft floats or warp floats.
To weave a warp float, place the heddle in the up position and slide the stick towards the heddle. In addition to the yarns in the holes being up, the stick is also lifting up the threads that are on the pick-up stick, up.
To weave a weft float, you place the heddle in neutral and tip the stick up on its edge so just the yarns on the stick are up.
Adding this technique to your weaving know-how allows you to branch out to a lot of different structures. The next step is learning how to read a pick-up pattern. I cover that in this blog post.
For a deeper dive, check out my latest class at the Yarnworker School, Weaving 301: Pick-Up, I teach you eleven essential structures that utilize these two positions AND begin to dive into the world of drafting and design as it relates to the rigid-heddle loom. GIST blog readers can get 10% off the class using the code: GISTJOURNAL. If you are interested in joining the Yarnworker School Patreon community to get more benefits, you can check that out here. The School wouldn't exist without the amazing support of this community.
About Liz Gipson ~ Yarn is a big part of who I am—growing it, spinning it, and then making it do tricks, particularly the over/under kind (i.e. weaving). Passing this love on to newcomers is what makes my heart happy. I spend my days weaving, writing about weaving, teaching others to weave, and enjoying this thing called life.
I host Yarnworker, a site for rigid-heddle know-how and inspirations. I dream-up, films, edit, and hosts the courses myself from my home in central, New Mexico.
This article is the second of a two-part series on how to buy used weaving looms. To get a few different perspectives on this, three friends are sharing what they look for in a loom and some of the helpful things they’ve learned along the way.